This is one of the many ways in which Davinci Resolve can be configured in order to be able to deliver a Non-graded Archival Master (NAM) to Netflix. Seriously, you can’t go wrong with Ripple.The intent of this document is to serve as a reference for configuring Davinci Resolve in an ACES color managed pipeline. I’m sure I’ll be back again, in the future, picking up another Resolve training series from Ripple. Jason, the instructor for this series, clearly explains the process and doesn’t talk fast and loose like many other teachers I’ve come across. Always well paced, it is very easy to follow along each tutorial without feeling overwhelmed. What separates Ripple Training from other 3rd party tutorial developers, is the clear and concise instruction found in their tutorials. If you’re new, or old, to Resolve I highly recommend this tutorial series.

Just when I thought I knew all I need to know about LUTs, Ripple comes along and drops this series on me. To date, I’ve purchased all but one of the tutorial series for Resolve from Ripple Training. As a big fan, and new user of DaVinci Resolve, I’m always on the look out for tutorials for Resolve. No surprise to me, I’ve just completed another excellent tutorial series from Ripple.

The Benefit of Using Resolve Color Management.

How Resolve Color Management Handles Raw Clips.

Choosing Individual Clip Input Color Spaces.

Why You Should use Resolve Color Management.

Layering LUTs with the Layer Mixer Node.

Combining LUTs With a Parallel Mixer Node.

Adjusting your Grade Before the Look LUT.

Creating an Additional Node for a Look LUT.

Normalizing GoPro Shots with Third Part LUTs.

Normalizing Footage with Technical LUTs.

Using Powergrades instead of LUT Gallery.

Visually Evaluating LUTs with LUT Gallery.

Applying a LUT to Incorrectly White Balanced Clips.Download this outline Working with LUTs in Resolve 14/15 1.

Output lut davinci resolve